You suck my blood like a leech
You break the law and you breach
Screw my brain 'til it hurts
You've taken all my money
And you want more
Misguided old mule with your pigheaded rules
With your narrow minded cronies
Who are fools of the first division
Death on two legs
You're tearing me apart
Death on two legs
You never had a heart of your own
Killjoy, bad guy, big talking small fry
You're just an old barrow boy
Have you found a new toy to replace me?
Can you face me?
But now you can kiss my ass goodbye
Feel good? Are you satisfied?
Do you feel like suicide?) (Think you should)
Is your conscience all right
Does it plague you at night?
Do you feel good? (Feel good)
(Ah) Talk like a big business tycoon
You're just a hot air balloon
So no one gives you a damn
You're just an overgrown schoolboy
Let me tan your hide
A dog with disease
You're the king of the sleaze
Put your money where your mouth is, Mister Know-All
Was the fin on your back
Part of the deal? (Shark)
Death on two legs
Tearing me apart
Death on two legs
You never had a heart (you never did)
Of your own (right from the start)
Insane, should be put inside
You're a sewer rat decaying in a cesspool of pride
Should be made unemployed
Then make yourself null and void
Make me feel good (I feel good)
Queen - A Night at the Opera Album Lyrics
Queen - A Night at the Opera Lyrics
Writer: Freddie Mercury
Copyright: Lyrics © Sony/ATV Music Publishing LLC
Copyright: Lyrics © Sony/ATV Music Publishing LLC
Lazing On A Sunday Afternoon
(Mercury)
I go out to work on a Monday morning
Tuesday I go off to honeymoon
I'll be back again before it's time for Sunny-down,
I'll be lazing on a Sunday afternoon
Bicycling on every Wednesday evening
Thursday I go waltzing to the Zoo
I come from London town, I'm just an ordinary guy,
Fridays I go painting in the Louvre
I'm bound to be proposing on a Saturday night (There he goes again)
I'll be lazing on a Sunday
lazing on a Sunday
lazing on a Sunday Afternoon.
I go out to work on a Monday morning
Tuesday I go off to honeymoon
I'll be back again before it's time for Sunny-down,
I'll be lazing on a Sunday afternoon
Bicycling on every Wednesday evening
Thursday I go waltzing to the Zoo
I come from London town, I'm just an ordinary guy,
Fridays I go painting in the Louvre
I'm bound to be proposing on a Saturday night (There he goes again)
I'll be lazing on a Sunday
lazing on a Sunday
lazing on a Sunday Afternoon.
Writer: Freddie Mercury
Copyright: Lyrics © Sony/ATV Music Publishing LLC
Copyright: Lyrics © Sony/ATV Music Publishing LLC
Im In Love With My Car
Oh
The machine of a dream
Such a clean machine
With the pistons a-pumpin'
And the hubcaps all gleam
When I'm holding your wheel
All I hear is your gear
With my hand on your grease gun
Mmm, it's like a disease, son
I'm in love with my car
Got a feel for my automobile
Get a grip on my boy racer roll bar
Such a thrill when your radials squeal
Told my girl I'll have to forget her
Rather buy me a new carburetor
So she made tracks saying this is the end now
Cars don't talk back they're just four-wheeled friends now
When I'm holding your wheel
All I hear is your gear
When I'm cruisin' in overdrive
Don't have to listen to no run-of-the-mill talk jive
I'm in love with my car (I'm in love with my car, love with my car)
Got a feel for my automobile
I'm in love with my car (I'm in love with my car, love with my car)
String back gloves in my automo-love
The machine of a dream
Such a clean machine
With the pistons a-pumpin'
And the hubcaps all gleam
When I'm holding your wheel
All I hear is your gear
With my hand on your grease gun
Mmm, it's like a disease, son
I'm in love with my car
Got a feel for my automobile
Get a grip on my boy racer roll bar
Such a thrill when your radials squeal
Told my girl I'll have to forget her
Rather buy me a new carburetor
So she made tracks saying this is the end now
Cars don't talk back they're just four-wheeled friends now
When I'm holding your wheel
All I hear is your gear
When I'm cruisin' in overdrive
Don't have to listen to no run-of-the-mill talk jive
I'm in love with my car (I'm in love with my car, love with my car)
Got a feel for my automobile
I'm in love with my car (I'm in love with my car, love with my car)
String back gloves in my automo-love
Writer: Roger Meddows Taylor
Copyright: Lyrics © Sony/ATV Music Publishing LLC
Copyright: Lyrics © Sony/ATV Music Publishing LLC
You're My Best Friend
Ooh, you make me live
Whatever this world can give to me
It's you you're all I see
Ooh, you make me live now, honey
Ooh, you make me live
Oh, you're the best friend that I ever had
I've been with you such a long time
You're my sunshine and I want you to know
That my feelings are true
I really love you
Oh, you're my best friend
Ooh, you make me live
Ooh, I've been wandering 'round
Still come back to you (still come back to you)
In rain or shine, you've stood by me girl
I'm happy at home (happy at home)
You're my best friend
Ooh, you make me live
Whenever this world is cruel to me
I got you to help me forgive
Ooh, you make me live now, honey
Ooh, you make me live
Oh, you're the first one when things turn out bad
You know I'll never be lonely
You're my only one
And I love the things
I really love the things that you do
Oh, you're my best friend, oh
Ooh, you make me live, live, live, live
I'm happy, happy at home
You're my best friend
Oh
Oh, you're my best friend
Ooh, you make me live
Ooh, you're my best friend
Whatever this world can give to me
It's you you're all I see
Ooh, you make me live now, honey
Ooh, you make me live
Oh, you're the best friend that I ever had
I've been with you such a long time
You're my sunshine and I want you to know
That my feelings are true
I really love you
Oh, you're my best friend
Ooh, you make me live
Ooh, I've been wandering 'round
Still come back to you (still come back to you)
In rain or shine, you've stood by me girl
I'm happy at home (happy at home)
You're my best friend
Ooh, you make me live
Whenever this world is cruel to me
I got you to help me forgive
Ooh, you make me live now, honey
Ooh, you make me live
Oh, you're the first one when things turn out bad
You know I'll never be lonely
You're my only one
And I love the things
I really love the things that you do
Oh, you're my best friend, oh
Ooh, you make me live, live, live, live
I'm happy, happy at home
You're my best friend
Oh
Oh, you're my best friend
Ooh, you make me live
Ooh, you're my best friend
Writer: John Deacon
Copyright: Lyrics © Sony/ATV Music Publishing LLC
Copyright: Lyrics © Sony/ATV Music Publishing LLC
39
In the year of '39, assembled here the volunteers
In the days when lands were few
Here the ship sailed out into the blue and sunny morn
The sweetest sight ever seen
And the night followed day
And the story tellers say
That the score brave souls inside
For many a lonely day sailed across the milky seas
Ne'er looked back, never feared, never cried
Don't you hear my call though you're many years away
Don't you hear me calling you
Write your letters in the sand
For the day I take your hand
In the land that our grandchildren knew
In the year of '39 came a ship in from the blue
The volunteers came home that day
And they bring good news of a world so newly born
Though their hearts so heavily weigh
For the earth is old and grey, little darling, we'll away
But my love, this cannot be
Oh, so many years have gone though I'm older but a year
Your mother's eyes, from your eyes, cry to me
Don't you hear my call though you're many years away?
Don't you hear me calling you?
Write your letters in the sand for the day I take your hand
In the land that our grandchildren knew
Don't you hear my call though you're many years away?
Don't you hear me calling you?
All your letters in the sand cannot heal me like your hand
For my life
Still ahead
Pity me
In the days when lands were few
Here the ship sailed out into the blue and sunny morn
The sweetest sight ever seen
And the night followed day
And the story tellers say
That the score brave souls inside
For many a lonely day sailed across the milky seas
Ne'er looked back, never feared, never cried
Don't you hear my call though you're many years away
Don't you hear me calling you
Write your letters in the sand
For the day I take your hand
In the land that our grandchildren knew
In the year of '39 came a ship in from the blue
The volunteers came home that day
And they bring good news of a world so newly born
Though their hearts so heavily weigh
For the earth is old and grey, little darling, we'll away
But my love, this cannot be
Oh, so many years have gone though I'm older but a year
Your mother's eyes, from your eyes, cry to me
Don't you hear my call though you're many years away?
Don't you hear me calling you?
Write your letters in the sand for the day I take your hand
In the land that our grandchildren knew
Don't you hear my call though you're many years away?
Don't you hear me calling you?
All your letters in the sand cannot heal me like your hand
For my life
Still ahead
Pity me
Writer: Brian May
Copyright: Lyrics © EMI Music Publishing, Sony/ATV Music Publishing LLC
Copyright: Lyrics © EMI Music Publishing, Sony/ATV Music Publishing LLC
Sweet Lady
(May)
You call me up and treat me like a dog
You call me up and tear me up inside
You've got me on a lead
You bring me down
You shout around
You don't believe that I'm alone.
Sweet Lady
Sweet Lady
Sweet Lady...Stay sweet.
You say
"You call me up and feed me all the lines
"You call me sweet lime I'm some kind of cheese
"Waiting on the shelf
"You eat me up
"You hold me down
"I'm just a fool to make you a home
"And you say
"Sweet lady
"Sweet lady
"Sweet lady...Stay sweet."
My Sweet lady
Though it seems like we wait forever
Stay sweet baby
Believe and we've got everything we need.
You call me up and treat me like a dog
You call me up and tear me up inside
You've got me on a lead
You bring me down
You shout around
You don't believe that I'm alone.
Sweet Lady
Sweet Lady
Sweet Lady...Stay sweet.
You say
"You call me up and feed me all the lines
"You call me sweet lime I'm some kind of cheese
"Waiting on the shelf
"You eat me up
"You hold me down
"I'm just a fool to make you a home
"And you say
"Sweet lady
"Sweet lady
"Sweet lady...Stay sweet."
My Sweet lady
Though it seems like we wait forever
Stay sweet baby
Believe and we've got everything we need.
Writer: Brian May
Copyright: Lyrics © EMI Music Publishing, Sony/ATV Music Publishing LLC
Copyright: Lyrics © EMI Music Publishing, Sony/ATV Music Publishing LLC
Seaside Rendezvous
(Mercury)
Seaside - whenever you stroll along with me I'm merely contemplating what
you feel inside meanwhile I ask you to be my Clementine -
You say you'd have to tell your daddy if you can - I love you madly -
Let me imagination run away with you gladly -
A brand new angle - highly commendable - Seaside Rendezvous -
I feel so romantic - can we do it again
Can we do it again sometime,
Fantastic, c'est la vie mesdames et messieurs
And at the peak of the season, the
Mediterranean -, this time of year, it's so fashionable,
I feel like dancing - in the tain,
All I need is a volunteer -
Dancing - what a damn jolly good idea -
It's such a jollification - as a matter of fact, so tres charmant my dear -
Underneath the moonlight - together we'll sail across the sea -
Reminiscing every night
Meantime - I ask you to be my valentine
You say you do if you did but you daren't I'll be your Valentino -
We'll ride upon an omnibus and then the casino -
Get a new facial - so sensational -
Seaside Rendezvous - so adorable,
Seaside Rendezvous -
Seaside Rendezvous -
Seaside - whenever you stroll along with me I'm merely contemplating what
you feel inside meanwhile I ask you to be my Clementine -
You say you'd have to tell your daddy if you can - I love you madly -
Let me imagination run away with you gladly -
A brand new angle - highly commendable - Seaside Rendezvous -
I feel so romantic - can we do it again
Can we do it again sometime,
Fantastic, c'est la vie mesdames et messieurs
And at the peak of the season, the
Mediterranean -, this time of year, it's so fashionable,
I feel like dancing - in the tain,
All I need is a volunteer -
Dancing - what a damn jolly good idea -
It's such a jollification - as a matter of fact, so tres charmant my dear -
Underneath the moonlight - together we'll sail across the sea -
Reminiscing every night
Meantime - I ask you to be my valentine
You say you do if you did but you daren't I'll be your Valentino -
We'll ride upon an omnibus and then the casino -
Get a new facial - so sensational -
Seaside Rendezvous - so adorable,
Seaside Rendezvous -
Seaside Rendezvous -
Writer: FREDDIE MERCURY
Copyright: Lyrics © EMI Music Publishing, Sony/ATV Music Publishing LLC
Copyright: Lyrics © EMI Music Publishing, Sony/ATV Music Publishing LLC
The Prophets Song
(May)
Oh Oh people of earth
Listen to the warning
The seer he said
Beware the storm that gathers here
Listen to the wise man.
I dreamed I saw on a moonlit stair
Spreading his hands on the multitude there
A man who cried for a love gone stale
And ice cold hearts of charity bare.
I watched as fear took the old men's gaze
Hopes of the yound in troubled graves
I see no day, I heard him say
So grey is the face of every mortal.
Oh Oh people of earth
Listen to the warning
The prophet he said
For soon the cold of night will fall
Summoned by your own hand.
Oh Oh children of the land
Quicken to the new life
Take my hand
Fly and find the new green bough
Return like the white dove.
He told of death as a done white haze
Taking the lost and the unloved babe
Late too late all the wretches run
These kinds of beasts now counting their days.
Oh Oh people of earth
Listen to the warning
The seer he said
Beware the storm that gathers here
Listen to the wise man.
I dreamed I saw on a moonlit stair
Spreading his hands on the multitude there
A man who cried for a love gone stale
And ice cold hearts of charity bare.
I watched as fear took the old men's gaze
Hopes of the yound in troubled graves
I see no day, I heard him say
So grey is the face of every mortal.
Oh Oh people of earth
Listen to the warning
The prophet he said
For soon the cold of night will fall
Summoned by your own hand.
Oh Oh children of the land
Quicken to the new life
Take my hand
Fly and find the new green bough
Return like the white dove.
He told of death as a done white haze
Taking the lost and the unloved babe
Late too late all the wretches run
These kinds of beasts now counting their days.
Writer: BRIAN HAROLD MAY
Copyright: Lyrics © Sony/ATV Music Publishing LLC
Copyright: Lyrics © Sony/ATV Music Publishing LLC
Love Of My Life
Love of my life, you've hurt me
You've broken my heart and now you leave me
Love of my life, can't you see?
Bring it back, bring it back
Don't take it away from me, because you don't know
What it means to me
Love of my life, don't leave me
You've taken my love (all of my love) and now desert me
Love of my life, can't you see?
(Please bring it back) bring it back, bring it back (back)
Don't take it away from me (take it away from me)
Because you don't know (ooh-ooh-ooh, know, means to me)
What it means to me
Who will remember
When this is blown over
And everything's all by the way? (Ooh, yeah)
When I grow older
I will be there at your side to remind you
How I still love you (I still love you)
Back, hurry back
Please bring it back home to me
Because you don't know what it means to me (ooh-ooh-ooh, know, means to me)
Love of my life
Love of my life
Oh, oh
You've broken my heart and now you leave me
Love of my life, can't you see?
Bring it back, bring it back
Don't take it away from me, because you don't know
What it means to me
Love of my life, don't leave me
You've taken my love (all of my love) and now desert me
Love of my life, can't you see?
(Please bring it back) bring it back, bring it back (back)
Don't take it away from me (take it away from me)
Because you don't know (ooh-ooh-ooh, know, means to me)
What it means to me
Who will remember
When this is blown over
And everything's all by the way? (Ooh, yeah)
When I grow older
I will be there at your side to remind you
How I still love you (I still love you)
Back, hurry back
Please bring it back home to me
Because you don't know what it means to me (ooh-ooh-ooh, know, means to me)
Love of my life
Love of my life
Oh, oh
Writer: Freddie Mercury
Copyright: Lyrics © Sony/ATV Music Publishing LLC
Copyright: Lyrics © Sony/ATV Music Publishing LLC
Good Company
Take good care of what you've got
My father said to me
As he puffed his pipe and Baby B
He dandled on his knee
Don't fool with fools who'll turn away
Keep all good company
Ooh-ooh, ooh-ooh
Take care of those you call your own
And keep good company
Soon I grew and happy too
My very good friends and me
We'd play all day with Sally J
The girl from number four
Very soon, I begged her, won't you keep me company?
Ooh-ooh, ooh-ooh
Ooh-ooh, ooh-ooh
Come marry me, forevermore, we'll be good company
Now marriage is an institution, sure
My wife and I, our needs, and nothing more
All my friends by a year
By and by, disappeared
But we're safe enough behind our door
I flourished in my humble trade
My reputation grew
The work devoured my waking hours
But when my time was through
Reward of all my efforts
My own limited company
I hardly noticed Sally as we parted company
All through the years, in the end, it appears
There was never really anyone but me
Now I'm old, I puff my pipe
But no one's there to see
I ponder on the lesson of my life's insanity
Take care of those you call your own
And keep good company
My father said to me
As he puffed his pipe and Baby B
He dandled on his knee
Don't fool with fools who'll turn away
Keep all good company
Ooh-ooh, ooh-ooh
Take care of those you call your own
And keep good company
Soon I grew and happy too
My very good friends and me
We'd play all day with Sally J
The girl from number four
Very soon, I begged her, won't you keep me company?
Ooh-ooh, ooh-ooh
Ooh-ooh, ooh-ooh
Come marry me, forevermore, we'll be good company
Now marriage is an institution, sure
My wife and I, our needs, and nothing more
All my friends by a year
By and by, disappeared
But we're safe enough behind our door
I flourished in my humble trade
My reputation grew
The work devoured my waking hours
But when my time was through
Reward of all my efforts
My own limited company
I hardly noticed Sally as we parted company
All through the years, in the end, it appears
There was never really anyone but me
Now I'm old, I puff my pipe
But no one's there to see
I ponder on the lesson of my life's insanity
Take care of those you call your own
And keep good company
Writer: Brian Harold May
Copyright: Lyrics © Sony/ATV Music Publishing LLC
Copyright: Lyrics © Sony/ATV Music Publishing LLC
Bohemian Rhapsody
Mama, just killed a man
Put a gun against his head
Pulled my trigger, now he's dead
Mama, life had just begun
But now I've gone and thrown it all away
Mama, ooh
Didn't mean to make you cry
If I'm not back again this time tomorrow
Carry on, carry on
As if nothing really matters
Too late, my time has come
Sends shivers down my spine
Body's aching all the time
Goodbye everybody, I've got to go
Gotta leave you all behind and face the truth
Mama, ooh
I don't wanna die
I sometimes wish I'd never been born at all
I see a little silhouetto of a man
Scaramouche, Scaramouche, will you do the Fandango?
Thunderbolt and lightning very very frightening me
Gallileo, Gallileo
Gallileo, Gallileo
Gallileo Figaro, magnifico
I'm just a poor boy, nobody loves me
He's just a poor boy from a poor family
Spare him his life from this monstrosity
Easy come easy go, will you let me go?
Bismillah! No, we will not let you go (let him go)
Bismillah! We will not let you go (let him go)
Bismillah! We will not let you go (let me go)
Will not let you go (let me go)
Never, never, never let you go, never let me go
Oh, no, no, no, no, no, no, no
Oh, mama mia, mama mia
Mama mia, let me go
Beelzebub has a devil put aside for me
For me
For me
So you think you can stone me and spit in my eye?
So you think you can love me and leave me to die?
Oh, baby
Can't do this to me, baby
Just gotta get out, just gotta get right outta here
(Ooh yeah, ooh yeah)
Nothing really matters
Anyone can see
Nothing really matters
Nothing really matters to me
Any way the wind blows
Put a gun against his head
Pulled my trigger, now he's dead
Mama, life had just begun
But now I've gone and thrown it all away
Mama, ooh
Didn't mean to make you cry
If I'm not back again this time tomorrow
Carry on, carry on
As if nothing really matters
Too late, my time has come
Sends shivers down my spine
Body's aching all the time
Goodbye everybody, I've got to go
Gotta leave you all behind and face the truth
Mama, ooh
I don't wanna die
I sometimes wish I'd never been born at all
I see a little silhouetto of a man
Scaramouche, Scaramouche, will you do the Fandango?
Thunderbolt and lightning very very frightening me
Gallileo, Gallileo
Gallileo, Gallileo
Gallileo Figaro, magnifico
I'm just a poor boy, nobody loves me
He's just a poor boy from a poor family
Spare him his life from this monstrosity
Easy come easy go, will you let me go?
Bismillah! No, we will not let you go (let him go)
Bismillah! We will not let you go (let him go)
Bismillah! We will not let you go (let me go)
Will not let you go (let me go)
Never, never, never let you go, never let me go
Oh, no, no, no, no, no, no, no
Oh, mama mia, mama mia
Mama mia, let me go
Beelzebub has a devil put aside for me
For me
For me
So you think you can stone me and spit in my eye?
So you think you can love me and leave me to die?
Oh, baby
Can't do this to me, baby
Just gotta get out, just gotta get right outta here
(Ooh yeah, ooh yeah)
Nothing really matters
Anyone can see
Nothing really matters
Nothing really matters to me
Any way the wind blows
Writer: Freddie Mercury
Copyright: Lyrics © Sony/ATV Music Publishing LLC, O/B/O DistroKid
Copyright: Lyrics © Sony/ATV Music Publishing LLC, O/B/O DistroKid
God Save The Queen
God save our gracious Queen!
Long live our noble Queen!
God save the Queen!
Send her victorious,
Happy and glorious,
Long to reign over us,
God save the Queen!
Long live our noble Queen!
God save the Queen!
Send her victorious,
Happy and glorious,
Long to reign over us,
God save the Queen!
Copyright: Lyrics © Original Writer and Publisher
A Night at the Opera is the fourth studio album by the British rock band Queen, released on 28 November 1975 by EMI Records in the United Kingdom and Elektra Records in the United States. Produced by Roy Thomas Baker and Queen, it was reportedly the most expensive album ever recorded at the time of its release.
Named after the Marx Brothers' film of the same name, A Night at the Opera was recorded at various studios across a four-month period in 1975. Due to management issues, Queen had received almost none of the money they earned for their previous albums. Subsequently, they ended their contract with Trident Studios and did not use their studios for the album (the sole exception being "God Save the Queen", which had been recorded the previous year). They employed a complex production that extensively used multitrack recording, and the songs incorporated a wide range of styles, such as ballads, music hall, sea shanties, dixieland, hard rock and progressive rock influences. Aside from their usual equipment, Queen also utilised a diverse range of instruments such as a double bass, harp, ukulele and more.
Upon release, A Night at the Opera became Queen's first number-one album in the UK, topping the UK Albums Chart for four non-consecutive weeks. It peaked at number four on the US Billboard Top LPs & Tape chart and became the band's first platinum-certified album in the US. It also produced the band's most successful single in the UK, "Bohemian Rhapsody", which became their first number one song in the country. Despite being twice as long as the average length of singles during the 1970s, the song became immensely popular worldwide.
Contemporary reviews for A Night at the Opera were positive, with praise for its production and the diverse musical themes, and recognition as the album that established Queen as worldwide superstars. At the 19th Grammy Awards, its first single "Bohemian Rhapsody" received Grammy Award nominations for Best Pop Vocal Performance by a Duo, Group or Chorus and Best Arrangement for Voices. It has since been hailed as Queen's best album, and one of the greatest albums of all time. In 2020, Rolling Stone ranked it number 128 on its list of the "500 Greatest Albums of All Time". It was inducted into the Grammy Hall of Fame in 2018.
Performed By:
QueenNamed after the Marx Brothers' film of the same name, A Night at the Opera was recorded at various studios across a four-month period in 1975. Due to management issues, Queen had received almost none of the money they earned for their previous albums. Subsequently, they ended their contract with Trident Studios and did not use their studios for the album (the sole exception being "God Save the Queen", which had been recorded the previous year). They employed a complex production that extensively used multitrack recording, and the songs incorporated a wide range of styles, such as ballads, music hall, sea shanties, dixieland, hard rock and progressive rock influences. Aside from their usual equipment, Queen also utilised a diverse range of instruments such as a double bass, harp, ukulele and more.
Upon release, A Night at the Opera became Queen's first number-one album in the UK, topping the UK Albums Chart for four non-consecutive weeks. It peaked at number four on the US Billboard Top LPs & Tape chart and became the band's first platinum-certified album in the US. It also produced the band's most successful single in the UK, "Bohemian Rhapsody", which became their first number one song in the country. Despite being twice as long as the average length of singles during the 1970s, the song became immensely popular worldwide.
Contemporary reviews for A Night at the Opera were positive, with praise for its production and the diverse musical themes, and recognition as the album that established Queen as worldwide superstars. At the 19th Grammy Awards, its first single "Bohemian Rhapsody" received Grammy Award nominations for Best Pop Vocal Performance by a Duo, Group or Chorus and Best Arrangement for Voices. It has since been hailed as Queen's best album, and one of the greatest albums of all time. In 2020, Rolling Stone ranked it number 128 on its list of the "500 Greatest Albums of All Time". It was inducted into the Grammy Hall of Fame in 2018.
Genre(s): Progressive rock, pop, heavy metal, hard rock, avant-pop
Producer(s): Roy Thomas Baker, Queen
Length: 43:08
Released: November 28th, 1975
Year: 1975