(Like, like, like this)
Change my pitch up
Smack my bitch up
Change my pitch up
Smack my bitch up
(Like this)
Change my pitch up
Smack my bitch up
Change my pitch up
Smack my bitch up
(Like, like this)
(Like this)
(Like this)
Smack my bitch up
(Like this)
(Like this)
Smack my bitch up
(Like this)
(Like this)
Change my pitch up
Smack my bitch up
Change my pitch up
Smack my bitch up
(Like this)
Prodigy - Smack My Bitch Up Lyrics
Prodigy - Smack My Bitch Up Lyrics
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We currently do not have these lyrics.
If you would like to submit them, please use the form below.
(Like, like, like this)
Change my pitch up
Smack my bitch up
Change my pitch up
Smack my bitch up
(Like this)
Change my pitch up
Smack my bitch up
Change my pitch up
Smack my bitch up
(Like, like this)
(Like this)
(Like this)
Smack my bitch up
(Like this)
(Like this)
Smack my bitch up
(Like this)
(Like this)
Change my pitch up
Smack my bitch up
Change my pitch up
Smack my bitch up
(Like this)
Change my pitch up
Smack my bitch up
Change my pitch up
Smack my bitch up
(Like this)
Change my pitch up
Smack my bitch up
Change my pitch up
Smack my bitch up
(Like, like this)
(Like this)
(Like this)
Smack my bitch up
(Like this)
(Like this)
Smack my bitch up
(Like this)
(Like this)
Change my pitch up
Smack my bitch up
Change my pitch up
Smack my bitch up
(Like this)
Writer: Liam Howlett, Cedric Ulmont Miller, Tim Randolph, Mike Smith, Keith Mathew Thornton
Copyright: Lyrics © Sony/ATV Music Publishing LLC, Warner/Chappell Music, Inc., BMG Rights Management
Copyright: Lyrics © Sony/ATV Music Publishing LLC, Warner/Chappell Music, Inc., BMG Rights Management
"Smack My Bitch Up" is a song by English rave group The Prodigy. It was released in November 1997 as the third and final single from their third album, The Fat of the Land (1997). In 2013, Mixmag readers voted it the third greatest dance track of all time.
The song caused considerable controversy because of its suggestive title and explicit music video, which depicted scenes of drunken and drug-fuelled sexual assault and violence. The refrain, which consists only of the line "Change my pitch up/Smack my bitch up", was sampled from the song "Give the Drummer Some" by the Ultramagnetic MCs. The song also contains a brief medley of Shahin Badar vocalising alap.
The song's lyrics, often held as misogynistic, were defended by the band, saying that the lyrics were being misinterpreted and the song actually meant "...doing anything intensely..."
In 2010, it was voted as the most controversial song of all time in a survey conducted by PRS for Music.
Prior to the release of the single, Liam Howlett was presented with three remixes of the title song, one by Jonny L, one by DJ Hype and one by Slacker. Howlett chose the DJ Hype remix to be released on the single. The Jonny L remix was released through a free CD that came along with an issue of Muzik magazine, while the Slacker remix was never officially released, although it surfaced on a rare and limited set of white labels.
Performed By:
ProdigyThe song caused considerable controversy because of its suggestive title and explicit music video, which depicted scenes of drunken and drug-fuelled sexual assault and violence. The refrain, which consists only of the line "Change my pitch up/Smack my bitch up", was sampled from the song "Give the Drummer Some" by the Ultramagnetic MCs. The song also contains a brief medley of Shahin Badar vocalising alap.
The song's lyrics, often held as misogynistic, were defended by the band, saying that the lyrics were being misinterpreted and the song actually meant "...doing anything intensely..."
In 2010, it was voted as the most controversial song of all time in a survey conducted by PRS for Music.
Prior to the release of the single, Liam Howlett was presented with three remixes of the title song, one by Jonny L, one by DJ Hype and one by Slacker. Howlett chose the DJ Hype remix to be released on the single. The Jonny L remix was released through a free CD that came along with an issue of Muzik magazine, while the Slacker remix was never officially released, although it surfaced on a rare and limited set of white labels.
Genre(s): Big beat, techno
Language: English
Length: 5:42
Written by: Liam Howlett, Cedric Ulmont Miller, Tim Randolph, Mike Smith, Keith Mathew Thornton
Produced by: Liam Howlett
Released: November 17th, 1997
Year: 1997