I'm six or seven and dreaming that I'm a boy. I emerged out of the water and went into the garden with a small silver hand between my thighs
Later, in the shower, I see a boy naked. He is contagious, and I can feel mine. I was told not to stare then, but my eyes have never been larger, in & out of my body, my stare kept growing, iii-iiii-iii-iii-ii-i-iii-i-i-i-i guess that's what's called flesh memory. Oh, how I wanted to tell him that we had switched places! In my dream I'd had him on me, but I didn't that day when I told her the dog was a wolf and the rock was a cliff, and you're a horse! I said, if the dog was a wolf and I a boy she could be a horse, sure thing, she had no excuse
And we were running then, horse and wolf and girl, braces on her teeth like a bridle, a bride, a bridle. I felt tight against supple, cool against hot, wires and skin. I've always been like this
Some days I feel like my body is straightened, held up by thin braces, metal spikes embrace my spine, my face, my c*nt. I can feel myself from above, but I can't see who's holding them. I twould be easy to think about submission, but I don't think it's about submission, it's about holding and being held
We ran willingly, horse-like, girl-like, boy-like. Her voice neighing in the back of her throat, and when I came closer we collided and kissed in the passing, on the mouth, like horses do. I said, her thin lips over enamel and steel. I felt the outline of her braces against my own, little silver arms reaching for each other
Sabbath Video (MV)
Jenny Hval - Sabbath Lyrics
We currently do not have these lyrics.
If you would like to submit them, please use the form below.
We currently do not have these lyrics.
If you would like to submit them, please use the form below.
I'm six or seven and dreaming that I'm a boy. I emerged out of the water and went into the garden with a small silver hand between my thighs
Later, in the shower, I see a boy naked. He is contagious, and I can feel mine. I was told not to stare then, but my eyes have never been larger, in & out of my body, my stare kept growing, iii-iiii-iii-iii-ii-i-iii-i-i-i-i guess that's what's called flesh memory. Oh, how I wanted to tell him that we had switched places! In my dream I'd had him on me, but I didn't that day when I told her the dog was a wolf and the rock was a cliff, and you're a horse! I said, if the dog was a wolf and I a boy she could be a horse, sure thing, she had no excuse
And we were running then, horse and wolf and girl, braces on her teeth like a bridle, a bride, a bridle. I felt tight against supple, cool against hot, wires and skin. I've always been like this
Some days I feel like my body is straightened, held up by thin braces, metal spikes embrace my spine, my face, my c*nt. I can feel myself from above, but I can't see who's holding them. I twould be easy to think about submission, but I don't think it's about submission, it's about holding and being held
We ran willingly, horse-like, girl-like, boy-like. Her voice neighing in the back of her throat, and when I came closer we collided and kissed in the passing, on the mouth, like horses do. I said, her thin lips over enamel and steel. I felt the outline of her braces against my own, little silver arms reaching for each other
Later, in the shower, I see a boy naked. He is contagious, and I can feel mine. I was told not to stare then, but my eyes have never been larger, in & out of my body, my stare kept growing, iii-iiii-iii-iii-ii-i-iii-i-i-i-i guess that's what's called flesh memory. Oh, how I wanted to tell him that we had switched places! In my dream I'd had him on me, but I didn't that day when I told her the dog was a wolf and the rock was a cliff, and you're a horse! I said, if the dog was a wolf and I a boy she could be a horse, sure thing, she had no excuse
And we were running then, horse and wolf and girl, braces on her teeth like a bridle, a bride, a bridle. I felt tight against supple, cool against hot, wires and skin. I've always been like this
Some days I feel like my body is straightened, held up by thin braces, metal spikes embrace my spine, my face, my c*nt. I can feel myself from above, but I can't see who's holding them. I twould be easy to think about submission, but I don't think it's about submission, it's about holding and being held
We ran willingly, horse-like, girl-like, boy-like. Her voice neighing in the back of her throat, and when I came closer we collided and kissed in the passing, on the mouth, like horses do. I said, her thin lips over enamel and steel. I felt the outline of her braces against my own, little silver arms reaching for each other