Wouldn't it be nice if we were older?
Then we wouldn't have to wait so long
And wouldn't it be nice to live together
In the kind of world where we belong?
You know it's gonna make it that much better
When we can say goodnight and stay together
Wouldn't it be nice if we could wake up
In the morning when the day is new?
And after having spent the day together
Hold each other close the whole night through
Happy times together we've been spending
I wish that every kiss was never ending
Oh, wouldn't it be nice?
Maybe if we think and wish and hope and pray
It might come true
Baby, then there wouldn't be a single thing we couldn't do
Oh, we could be married (oh, we could be married)
And then we'd be happy (and then we'd be happy)
Oh, wouldn't it be nice?
You know it seems the more we talk about it
It only makes it worse to live without it
But let's talk about it
Oh, wouldn't it be nice?
Goodnight, my baby
Sleep tight, my baby
Goodnight, my baby
Sleep tight, my baby
The Beach Boys - Pet Sounds Album Lyrics
The Beach Boys - Pet Sounds Lyrics
Writer: Brian Wilson, Michael Love, Tony Asher
Copyright: Lyrics © Universal Music Publishing Group
Copyright: Lyrics © Universal Music Publishing Group
You Still Believe In Me
I know perfectly well
I'm not where I should be
I've been very aware
You've been patient with me
I'm not where I should be
I've been very aware
You've been patient with me
Every time we break up
You bring back your love to me
And after all I've done to you
How can it be
You still believe in me
I try hard to be more
What you want me to be
But I can't help how I act
When you're not here with me
I try hard to be strong
But sometimes I fail myself
And after all I've promised you
So faithfully
You still believe in me
I wanna cry . . .
Writer: BRIAN WILSON, TONY ASHER
Copyright: Lyrics © Universal Music Publishing Group
Copyright: Lyrics © Universal Music Publishing Group
Thats Not Me
I had to prove that I could make it alone
But that's not me
I wanted to show how independent I'd grown now
But that's not me
But that's not me
I wanted to show how independent I'd grown now
But that's not me
I could try to be big in the eyes of the world
What matters to me is what I could be to just one girl
I'm a little bit scared
Cause I haven't been home in a long time
You needed my love
And I know that I left at the wrong time
My folks when I wrote them
Told 'em what I was up to said that's not me
I went through all kinds of changes
Took a look at myself and said that's not me
I miss my pad and the places I've known
And every night as I lay there alone I will dream
I once had a dream
So I packed up and split for the city
I soon found out that my lonely life wasn't so pretty
I'm glad I went now I'm that much more sure that we're ready
I once had a dream
So I packed up and split for the city
Writer: Brian Wilson, Tony Asher
Copyright: Lyrics © Universal Music Publishing Group
Copyright: Lyrics © Universal Music Publishing Group
Don't Talk (Put Your Head on My Shoulder)
I can hear so much in your sighs
And I can see so much in your eyes
There are words we both could say
But don't talk, put your head on my shoulder
Come close, close your eyes and be still
Don't talk, take my hand
And let me hear your heart beat
Being here with you feels so right
We could live forever tonight
Let's not think about tomorrow
And don't talk put your head on my shoulder
Come close, close your eyes and be still
Don't talk, take my hand
And listen to my heart beat
Listen, listen, listen
Don't talk, put your head on my shoulder
Don't talk, close your eyes and be still
Don't talk, put your head on my shoulder
Don't talk, close your eyes and be still
Don't talk, put your head on my shoulder
And I can see so much in your eyes
There are words we both could say
But don't talk, put your head on my shoulder
Come close, close your eyes and be still
Don't talk, take my hand
And let me hear your heart beat
Being here with you feels so right
We could live forever tonight
Let's not think about tomorrow
And don't talk put your head on my shoulder
Come close, close your eyes and be still
Don't talk, take my hand
And listen to my heart beat
Listen, listen, listen
Don't talk, put your head on my shoulder
Don't talk, close your eyes and be still
Don't talk, put your head on my shoulder
Don't talk, close your eyes and be still
Don't talk, put your head on my shoulder
Writer: Brian Douglas Wilson, Tony Asher
Copyright: Lyrics © Universal Music Publishing Group
Copyright: Lyrics © Universal Music Publishing Group
Im Waiting For The Day
I came along when he broke your heart
That's when you needed someone
To help forget about him
That's when you needed someone
To help forget about him
I gave you love with a brand new start
That's what you needed the most
To set your broken heart free
I know you cried, and you felt blue
But when I could I gave strength to you
I'm waiting for the day when you can love again
I kissed your lips
And when your face looked sad
It made me think about him
And that you still loved him so
But you know that pretty soon
I made you feel glad
That you belonged to me
And love began to show
He hurt you then, but that's all gone
I guess I'm saying you're the only one
I'm waiting for the day when you can love again
He hurt you then, but that's all done
I guess I'm saying you're the only one
I'm waiting for the day when you can love again
You didn't think that I could sit around and let him work
You didn't think that I could sit around and let (watch) him take you
You didn't think that I could sit around and let him go
You didn't think that I could sit back and let you go
You didn't think . . .
Writer: Michael Love, Brian Wilson
Copyright: Lyrics © Universal Music Publishing Group
Copyright: Lyrics © Universal Music Publishing Group
Copyright: Lyrics © Original Writer and Publisher
Sloop John B
We come on the Sloop John B
My grandfather and me
Around Nassau town we did roam
Drinking all night
Got into a fight
Well I feel so broke up
I want to go home
So hoist up the John B's sail
See how the main sail sets
Call for the Captain ashore
Let me go home, let me go home
I want to go home, yeah yeah
Well I feel so broke up
I want to go home
The first mate he got drunk
And broke in the Cap'n's trunk
The constable had to come and take him away
Sheriff John Stone
Why don't you leave me alone, yeah yeah
Well I feel so broke up, I want to go home
So hoist up the John B's sail
See how the main sail sets
Call for the Captain ashore
Let me go home, let me go home
I want to go home, let me go home
Why don't you let me go home
(Hoist up the John B's sail)
Hoist up the John B
I feel so broke up I want to go home
Let me go home
The poor cook he caught the fits
And threw away all my grits
And then he took and he ate up all of my corn
Let me go home
Why don't they let me go home
This is the worst trip I've ever been on
So hoist up the John B's sail
See how the main sail sets
Call for the Captain ashore
Let me go home, let me go home
I want to go home, let me go home
Why don't you let me go home
My grandfather and me
Around Nassau town we did roam
Drinking all night
Got into a fight
Well I feel so broke up
I want to go home
So hoist up the John B's sail
See how the main sail sets
Call for the Captain ashore
Let me go home, let me go home
I want to go home, yeah yeah
Well I feel so broke up
I want to go home
The first mate he got drunk
And broke in the Cap'n's trunk
The constable had to come and take him away
Sheriff John Stone
Why don't you leave me alone, yeah yeah
Well I feel so broke up, I want to go home
So hoist up the John B's sail
See how the main sail sets
Call for the Captain ashore
Let me go home, let me go home
I want to go home, let me go home
Why don't you let me go home
(Hoist up the John B's sail)
Hoist up the John B
I feel so broke up I want to go home
Let me go home
The poor cook he caught the fits
And threw away all my grits
And then he took and he ate up all of my corn
Let me go home
Why don't they let me go home
This is the worst trip I've ever been on
So hoist up the John B's sail
See how the main sail sets
Call for the Captain ashore
Let me go home, let me go home
I want to go home, let me go home
Why don't you let me go home
Writer: Brian Wilson
Copyright: Lyrics © EMI Music Publishing
Copyright: Lyrics © EMI Music Publishing
God Only Knows
I may not always love you
But long as there are stars above you
You never need to doubt it
I'll make you so sure about it
God only knows what I'd be without you
If you should ever leave me
Well, life would still go on, believe me
The world could show nothing to me
So what good would living do me?
God only knows what I'd be without you
God only knows what I'd be without you
If you should ever leave me
Though life would still go on, believe me
The world could show nothing to me
So what good would living do me?
God only knows what I'd be without you
God only knows what I'd be without you
God only knows what I'd be without you
God only knows what I'd be without you
God only knows what I'd be without you (God only knows)
God only knows what I'd be without you (what I'd be without you)
God only knows what I'd be without you (God only knows)
God only knows what I'd be without you (what I'd be without you)
God only knows what I'd be without you (God only knows)
God only knows what I'd be without you (what I'd be without you)
God only knows what I'd be without you (God only knows)
God only knows what I'd be without you (what I'd be without you)
God only knows what I'd be without you
But long as there are stars above you
You never need to doubt it
I'll make you so sure about it
God only knows what I'd be without you
If you should ever leave me
Well, life would still go on, believe me
The world could show nothing to me
So what good would living do me?
God only knows what I'd be without you
God only knows what I'd be without you
If you should ever leave me
Though life would still go on, believe me
The world could show nothing to me
So what good would living do me?
God only knows what I'd be without you
God only knows what I'd be without you
God only knows what I'd be without you
God only knows what I'd be without you
God only knows what I'd be without you (God only knows)
God only knows what I'd be without you (what I'd be without you)
God only knows what I'd be without you (God only knows)
God only knows what I'd be without you (what I'd be without you)
God only knows what I'd be without you (God only knows)
God only knows what I'd be without you (what I'd be without you)
God only knows what I'd be without you (God only knows)
God only knows what I'd be without you (what I'd be without you)
God only knows what I'd be without you
Writer: Brian Douglas Wilson, Tony Asher
Copyright: Lyrics © Universal Music Publishing Group
Copyright: Lyrics © Universal Music Publishing Group
I Know Theres An Answer
I know so many people who think they can do it alone
They isolate their heads and stay in their saftey zones
They isolate their heads and stay in their saftey zones
Now what can you tell them
And what can you say that won't make them defensive
I know there's an answer
I know now but I have to find it by myself
They come on like they're peaceful
But inside they're so uptight
They trip through their day
And waste all their thoughts at night
Now how can I come on
And tell them the way that they live could be better
I know there's an answer
I know now but I have to find it by myself
Now how can I come on
And tell them the way that they live could be better
I know there's an answer
I know now but I have to find it by myself
Writer: TERRY SACHEN, MICHAEL LOVE, BRIAN WILSON
Copyright: Lyrics © Universal Music Publishing Group
Copyright: Lyrics © Universal Music Publishing Group
Here Today
It starts with just a little glance now
Right away you're thinkin' 'bout romance now
You know you ought to take it slower
But you just can't wait to get to know her
Right away you're thinkin' 'bout romance now
You know you ought to take it slower
But you just can't wait to get to know her
A brand new love affair is such a beautiful thing
But if you're not careful think about the pain it can bring
It makes you feel so bad
It makes your heart feel sad
It makes your days go wrong
It makes your nights so long
You've got to keep in mind love is here today
And it's gone tomorrow
It's here and gone so fast
Right now you think that she's perfection
This time is really an exception
Well you know I hate to be a downer
But I'm the guy she left before you found her
Well I'm not saying you won't have a good love with her
But I keep on remembering things like they were
She made me feel so bad
She made my heart feel sad
She made my days go wrong
And made my nights so long
You've got to keep in mind love is here today
And it's gone tomorrow
It's here and gone so fast
Keep in mind love is here today
And it's gone tomorrow
It's here and gone so fast
Love is here today
And it's gone tomorrow
It's here and gone so fast
Copyright: Lyrics © Original Writer and Publisher
I Just Wasnt Made For These Times
I keep looking for a place to fit
Where I can speak my mind
I've been trying hard to find the people
That I won't leave behind
Where I can speak my mind
I've been trying hard to find the people
That I won't leave behind
They say I got brains
But they ain't doing me no good
I wish they could
Each time things start to happen again
I think I got something good goin' for myself
But what goes wrong
Sometimes I feel very sad
Sometimes I feel very sad
(Can't find nothin' I can put my heart and soul into)
Sometimes I feel very sad
(Can't find nothin' I can put my heart and soul into)
I guess I just wasn't made for these times
Every time I get the inspiration
To go change things around
No one wants to help me look for places
Where new things might be found
Where can I turn when my fair weather friends cop out
What's it all about
Each time things start to happen again
I think I got something good goin' for myself
But what goes wrong
Sometimes I feel very sad
Sometimes I feel very sad
(Can't find nothin' I can put my heart and soul into)
Sometimes I feel very sad
(Can't find nothin' I can put my heart and soul into)
I guess I just wasn't made for these times
I guess I just wasn't made for these times
I guess I just wasn't made for these times
I guess I just wasn't made for these times
I guess I just wasn't made for these times
I guess I just wasn't made for these times
Writer: BRIAN WILSON, TONY ASHER
Copyright: Lyrics © Universal Music Publishing Group
Copyright: Lyrics © Universal Music Publishing Group
Writer: BRIAN WILSON
Copyright: Lyrics © Universal Music Publishing Group
Copyright: Lyrics © Universal Music Publishing Group
Caroline No
Where did your long hair go
Where is the girl I used to know
How could you lose that happy glow
Oh, Caroline no
Where is the girl I used to know
How could you lose that happy glow
Oh, Caroline no
Who took that look away
I remember how you used to say
You'd never change, but that's not true
Oh, Caroline you
Break my heart
I want to go and cry
It's so sad to watch a sweet thing die
Oh, Caroline why
Could I ever find in you again
Things that made me love you so much then
Could we ever bring 'em back once they have gone
Oh, Caroline no
Writer: BRIAN WILSON, TONY ASHER
Copyright: Lyrics © Universal Music Publishing Group
Copyright: Lyrics © Universal Music Publishing Group
Pet Sounds is the eleventh studio album by the American rock band the Beach Boys, released on May 16, 1966, by Capitol Records. It was initially met with a lukewarm critical and commercial response in the United States, peaking at number 10 on the Billboard Top LPs chart. In the United Kingdom, however, the album was lauded by critics and reached number 2 on the Record Retailer chart, remaining in the top ten for six months. Promoted there as "the most progressive pop album ever", Pet Sounds was recognized for its ambitious production, sophisticated music, and emotional lyrics. It is now considered to be among the greatest and most influential albums in music history.
The album was produced, arranged, and almost entirely composed by Brian Wilson with guest lyricist Tony Asher. It was recorded largely between January and April 1966, a year after Wilson had quit touring with his bandmates and debuted a more progressive sound with The Beach Boys Today! (1965). Wilson viewed Pet Sounds as effectively a solo album and credited part of its inspiration to marijuana and a newfound spiritual enlightenment.
Galvanized by the work of his idol Phil Spector and rival group the Beatles, his goal was to create "the greatest rock album ever made", one without filler. An early concept album, it consists mainly of introspective and semi-autobiographical songs like "You Still Believe in Me", about a lover's unwavering loyalty; "I Know There's an Answer", a critique of LSD users; and "I Just Wasn't Made for These Times", about social alienation.
Incorporating elements of pop, jazz, exotica, classical, and the avant-garde, Wilson's Wall of Sound-based orchestrations mixed conventional rock set-ups with elaborate layers of vocal harmonies, found sounds, and instruments rarely if ever associated with rock, such as bicycle bells, French horn, flutes, Electro-Theremin, string sections, and soda cans. It marked the most complex instrumental and vocal parts of any Beach Boys album, and the first in which studio musicians (such as the Wrecking Crew) replaced the band on most of the instrumental tracks.
The album could not be reproduced live and was the first time that any group had departed from their usual small-ensemble pop/rock band format for a whole LP. Its unprecedented total production cost exceeded $70,000 (equivalent to $660,000 in 2023). Lead single "Caroline, No" was issued as Wilson's official solo debut. It was followed by two singles credited to the group: "Sloop John B" and "Wouldn't It Be Nice" (backed with "God Only Knows"). A planned successor album, Smile, was never finished.
Pet Sounds revolutionized music production and the role of professional record producers, especially through Wilson's pioneering studio-as-instrument praxis. The record contributed to the cultural legitimization of popular music, a greater public appreciation for albums, the popularity of synthesizers, and the development of psychedelic music and progressive/art rock.
It also introduced novel approaches to orchestration, chord voicings, and structural harmonies, such as its avoidance of definite key signatures. Although it had been widely revered by industry insiders, the album was obscure to mass audiences before being reissued in the 1990s, after which it topped several critics' and musicians' polls for the best album of all time, including those published by NME, Mojo, Uncut, and The Times. The album has also been consistently ranked number 2 in all editions of Rolling Stone's "The 500 Greatest Albums of All Time" list.
As a solo artist, Wilson embarked on a string of Pet Sounds concert tours in the early 2000s and late 2010s. In 2004, the album was inducted into the National Recording Registry by the Library of Congress for being "culturally, historically, or aesthetically significant". Pet Sounds is certified platinum by the Recording Industry Association of America (RIAA), indicating over one million units sold in the U.S. An expanded reissue, The Pet Sounds Sessions, was released in 1997, featuring the album's first true stereo mix.
Genre(s):
Progressive pop, chamber pop, psychedelic pop, art rock The album was produced, arranged, and almost entirely composed by Brian Wilson with guest lyricist Tony Asher. It was recorded largely between January and April 1966, a year after Wilson had quit touring with his bandmates and debuted a more progressive sound with The Beach Boys Today! (1965). Wilson viewed Pet Sounds as effectively a solo album and credited part of its inspiration to marijuana and a newfound spiritual enlightenment.
Galvanized by the work of his idol Phil Spector and rival group the Beatles, his goal was to create "the greatest rock album ever made", one without filler. An early concept album, it consists mainly of introspective and semi-autobiographical songs like "You Still Believe in Me", about a lover's unwavering loyalty; "I Know There's an Answer", a critique of LSD users; and "I Just Wasn't Made for These Times", about social alienation.
Incorporating elements of pop, jazz, exotica, classical, and the avant-garde, Wilson's Wall of Sound-based orchestrations mixed conventional rock set-ups with elaborate layers of vocal harmonies, found sounds, and instruments rarely if ever associated with rock, such as bicycle bells, French horn, flutes, Electro-Theremin, string sections, and soda cans. It marked the most complex instrumental and vocal parts of any Beach Boys album, and the first in which studio musicians (such as the Wrecking Crew) replaced the band on most of the instrumental tracks.
The album could not be reproduced live and was the first time that any group had departed from their usual small-ensemble pop/rock band format for a whole LP. Its unprecedented total production cost exceeded $70,000 (equivalent to $660,000 in 2023). Lead single "Caroline, No" was issued as Wilson's official solo debut. It was followed by two singles credited to the group: "Sloop John B" and "Wouldn't It Be Nice" (backed with "God Only Knows"). A planned successor album, Smile, was never finished.
Pet Sounds revolutionized music production and the role of professional record producers, especially through Wilson's pioneering studio-as-instrument praxis. The record contributed to the cultural legitimization of popular music, a greater public appreciation for albums, the popularity of synthesizers, and the development of psychedelic music and progressive/art rock.
It also introduced novel approaches to orchestration, chord voicings, and structural harmonies, such as its avoidance of definite key signatures. Although it had been widely revered by industry insiders, the album was obscure to mass audiences before being reissued in the 1990s, after which it topped several critics' and musicians' polls for the best album of all time, including those published by NME, Mojo, Uncut, and The Times. The album has also been consistently ranked number 2 in all editions of Rolling Stone's "The 500 Greatest Albums of All Time" list.
As a solo artist, Wilson embarked on a string of Pet Sounds concert tours in the early 2000s and late 2010s. In 2004, the album was inducted into the National Recording Registry by the Library of Congress for being "culturally, historically, or aesthetically significant". Pet Sounds is certified platinum by the Recording Industry Association of America (RIAA), indicating over one million units sold in the U.S. An expanded reissue, The Pet Sounds Sessions, was released in 1997, featuring the album's first true stereo mix.
Producer(s): Brian Wilson
Length: 35:57
Released: May 16th, 1966
Year: 1966